Censored : a literary history of subversion and control by
When Henry Vizetelly was imprisoned in 1889 for publishing the novels of Émile Zola in English, the problem was not just Zola's French candour about sex--it was that Vizetelly's books were cheap, and ordinary people could read them. Censored exposes the role that power plays in censorship. In twenty-five chapters focusing on a wide range of texts, including the Bible, slave narratives, modernist classics, comic books, and Chicana/o literature, Matthew Fellion and Katherine Inglis chart the forces that have driven censorship in the United Kingdom and the United States for over six hundred years, from fears of civil unrest and corruptible youth to the oppression of various groups--religious and political dissidents, same-sex lovers, the working class, immigrants, women, racialized people, and those who have been incarcerated or enslaved. The authors also consider the weight of speech, and when restraints might be justified. Rich with illustrations that bring to life the personalities and the books that feature in its stories, Censored takes readers behind the scenes into the courtroom battles, legislative debates, public campaigns, and private exchanges that have shaped the course of literature. A vital reminder that the freedom of speech has always been fragile and never enjoyed equally by all, Censored offers lessons from the past to guard against threats to literature in a new political era.
Censored Books II by
Presents reasoned arguments to support a wide range of literature that has been frequently challenged by would-be censors.
Censoring Art by
Art is continuously subjected to insidious forms of censorship. This may be by the Church to guard against moral degeneration, by the State to promote a specific political agenda or by the art market, to elevate one artist above another. Now, and in the last century, artwork that touches on ethnic, religious, sexual, national or institutional sensitivities is liable to be destroyed or hidden away, ignored or side-lined. Drawing from new research into historical and contemporary case-studies, Censoring Art: Silencing the Artwork provides diverse ways of understanding the purpose and mechanisms of art censorship across distinct geopolitical and cultural contexts from Iran, Japan, and Uzbekistan to Britain, Ireland, Canada, Macedonia, Soviet Russia, and Cyprus. Its contributions uncover the impact of this silent control of the production and exhibition of art and consider how censorship has affected art practice and public perceptions of artworks.
Censoring Sex by
In this gracefully written, accessible and entertaining volume, John Semonche surveys censorship for reasons of sex from the nineteenth century up until the present. He covers the various forms of American media-books and periodicals, pictorial art, motion pictures, music and dance, and radio, television, and the Internet. Despite the varieties of censorship, running from self-censorship to government bans, a common story is told. In each of the areas, Semonche explains via abundant examples how and why censorship took place.
Censorship of the American Theatre in the Twentieth Century by
John Houchin explores the impact of censorship in twentieth-century American theatre, arguing that theatrical censorship coincided with significant challenges to religious, political and cultural systems. The study provides a summary of theatre censorship in the eighteenth and nineteenth centuries and analyses key episodes from 1900 to 2000. These include attempts to censure Olga Nethersole for her production of Sappho in 1901 and the theatre riots of 1913 that greeted the Abbey Theatre's production of Playboy of the Western World. Houchin explores the efforts to suppress plays in the 1920s that dealt with transgressive sexual material and investigates Congress' politically motivated assaults on plays and actors during the 1930s and 1940s. He investigates the impact of racial violence, political assassinations and the Vietnam War on the trajectory of theatre in the 1960s and concludes by examining the response to gay activist plays such as Angels in America.
Creating Spaces of Freedom by
Creating Spaces of Freedom reveals some of the alternative spaces where banned art seeks refuge, while continuing to communicate its inspiring message of freedom and hope.
Free Speech and Censorship: Examining the Facts by
Free Speech and Censorship: Examining the Facts is part of a series that uses evidence-based documentation to examine the veracity of claims and beliefs about high-profile issues in American culture and politics. This volume examines beliefs, claims, and myths about free speech and censorship issues in American society, including landmark court decisions and evolving cultural values that have shaped our understanding of the First Amendment and the liberties it enshrines and protects. Specific chapters in the volume explore basic principles of free speech; unprotected types of speech; conditionally protected speech; restrictions and regulations governing protected speech; free speech limitations in school settings; the corrosive impact of politicians and social media platforms that spread distortions and falsehoods under free speech pretexts; and free speech as a general cultural ideal. Together, these chapters will provide readers with a thorough and accurate grounding in their First Amendment rights and responsibilities.
Free Speech and Why You Should Give a Damn by
In America we like to think we live in a land of liberty, where everyone can say whatever they want. Throughout our history, however, we have also been quick to censor people who offend or frighten us. We talk a good game about freedom of speech, then we turn around and deny it to others. In this brief but bracing book, historian Jonathan Zimmerman and Pulitzer Prize-winning cartoonist Signe Wilkinson tell the story of free speech in America: who established it, who has denounced it, and who has risen to its defense. They also make the case for why we should care about it today, when free speech is once again under attack.Across the political spectrum, Americans have demanded the suppression of ideas and images that allegedly threaten our nation. But the biggest danger to America comes not from speech but from censorship, which prevents us fromfreely governing ourselves. Free speech allows us to criticize our leaders. It lets us consume the art, film, and literature we prefer. And, perhaps most importantly, it allows minorities to challenge the oppression they suffer. While any of us are censored, none of us are free.
Historical guide to world media freedom : a country-by-country analysis by
Scholars of international relations and international communications view the extent of media freedom from country to country as a key comparative indicator either by itself or in correlation with other indices of national political and economic development. This book provides consistent and comparable measures of media freedom in all independent countries for the years 1948 to the present.
Hit List: frequently challenged books for children by
Organized alphabetically, this work provides examples of recent challenges, review sources, related articles, standard reference sources, and recommended reading lists for 23 frequently challenged books, from Judy Blume's Blubber to Katherine Paterson's Bridge to Terabithia.
Teaching Banned Books by
Who hasn't read Blubber? And yet, published in 1974 and a New York Times 'Outstanding Book', it remains one of the 100 Most Frequently Challenged Books and is kept out of many school libraries. As a standard-bearer for intellectual freedom, the school librarian is in an ideal position to collaborate with teachers to not only protect the freedom to read but also ensure that valued books with valuable lessons are not quarantined from the readers for whom they were written. In this classroom- and library-ready book of discussion guides, award-winning champion of children's literature Pat Scales.
